"Confessions of a Republican"
The Living Room Candidate - Transcript
"Confessions of a Republican," Johnson, 1964
[TEXT: Confessions of a Republican]
REPUBLICAN: I don't know just why they wanted to call this a confession; I certainly don't feel guilty about being a Republican. I've always been a Republican. My father is, his father was, the whole family is a Republican family. I voted for Dwight Eisenhower the first time I ever voted; I voted for Nixon the last time. But when we come to Senator Goldwater, now it seems to me we're up against a very different kind of a man. This man scares me.
Now maybe I'm wrong. A friend of mine just said to me, "Listen, just because a man sounds a little irresponsible during a campaign doesn't mean he's going to act irresponsibly." You know that theory, that the White House makes the man. I don't buy that. You know what I think makes a President - I mean, aside from his judgement, his experience - are the men behind him, his advisors, the cabinet. And so many men with strange ideas are working for Goldwater. You hear a lot about what these guys are against - they seem to be against just about everything - but what are they for?
The hardest thing for me about this whole campaign is to sort out one Goldwater statement from another. A reporter will go to Senator Goldwater and he'll say, "Senator, on such and such a day, you said, and I quote, 'blah blah blah' whatever it is, end quote." And then Goldwater says, "Well, I wouldn't put it that way." I can't follow that. Was he serious when he did put it that way? Is he serious when he says I wouldn't put it that way? I just don't get it. A President ought to mean what he says.
President Johnson, Johnson at least is talking about facts. He says, "Look, we've got the tax cut bill and because of that you get to carry home X number of dollars more every payday. We've got the nuclear test ban and because of that there is X percent less radioactivity in the food." But, but Goldwater, often, I can't figure out just what Goldwater means by the things he says. I read now where he says, "A craven fear of death is sweeping across America. What is that supposed to mean? If he means that people don't want to fight a nuclear war, he's right. I don't. When I read some of these things that Goldwater says about total victory, I get a little worried, you know? I wish I was as sure that Goldwater is as against war as I am that he's against some of these other things. I wish I could believe that he has the imagination to be able to just shut his eyes and picture what this country would look like after a nuclear war.
Sometimes, I wish I'd been at that convention at San Francisco. I mean, I wish I'd been a delegate, I really do. I would have fought, you know. I wouldn't have worried so much about party unity because if you unite behind a man you don't believe in, it's a lie. I tell you, those people who got control of that convention: Who are they? I mean, when the head of the Ku Klux Klan, when all these weird groups come out in favor of the candidate of my party — either they're not Republicans or I'm not.
I've thought about just not voting at this election, just staying home — but you can't do that, that's saying you don't care who wins, and I do care. I think my party made a bad mistake in San Francisco, and I'm going to have to vote against that mistake on the third of November.
MALE NARRATOR: Vote for President Johnson on November 3rd. The stakes are too high for you to stay home.
"Confessions of a Republican," Democratic National Committee, 1964Video courtesy of the Lyndon Baines Johnson Library.
From Museum of the Moving Image, The Living Room Candidate: Presidential Campaign Commercials 1952-2012.
www.livingroomcandidate.org/commercials/1964/confessions-of-a-republican (accessed July 29, 2016).
This ad for Lyndon Johnson, took advantage of the fact many Republican voters considered their party's nominee, Barry Goldwater, to be an extremist.
"The idea that you can merchandise candidates for high office like breakfast cereal is the ultimate indignity to the democratic process."
-Democratic candidate Adlai Stevenson, 1956
"Television is no gimmick, and nobody will ever be elected to major office again without presenting themselves well on it."
-Television producer and Nixon campaign consultant Roger Ailes, 1968
In a media-saturated environment in which news, opinions, and entertainment surround us all day on our television sets, computers, and cell phones, the television commercial remains the one area where presidential candidates have complete control over their images. Television commercials use all the tools of fiction filmmaking, including script, visuals, editing, and performance, to distill a candidate's major campaign themes into a few powerful images. Ads elicit emotional reactions, inspiring support for a candidate or raising doubts about his opponent. While commercials reflect the styles and techniques of the times in which they were made, the fundamental strategies and messages have tended to remain the same over the years.
The Living Room Candidate contains more than 300 commercials, from every presidential election since 1952, when Madison Avenue advertising executive Rosser Reeves convinced Dwight Eisenhower that short ads played during such popular TV programs as I Love Lucy would reach more voters than any other form of advertising. This innovation had a permanent effect on the way presidential campaigns are run.